Film photography is an exploration of timeless image-making rooted in intention, patience and presence. Embracing a process where every frame matters.
It offers something digital generally doesn't: a tactile, soulful experience shaped by deliberate intention in every shot. Shooting on film slows the process down, encouraging a deeper connection with the subject and the moment itself. It allows space for authenticity to emerge unforced, truthful, and alive.
For me, film photography is about more than capturing an image. It’s about preserving emotion and capturing a person for who they are, creating something tangible—a moment that holds time, memory, and feeling. Each exposure is a considered decision, guided by light, environment, and human presence.
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35mm film carries a raw, tactile quality alive with grain, contrast, and subtle imperfections that give images their emotional edge. Its character feels immediate and intimate, lending itself to expressive, human moments where atmosphere and feeling take precedence over polish. The grain becomes part of the story, adding texture and a sense of honesty that feels lived-in rather than constructed.
120mm film  by contrast, offers a quieter kind of power. With its larger negative and greater resolution, it renders images with remarkable depth and clarity, allowing fine details, tonal transitions, and subtle expressions to emerge naturally. The result is a refined, almost sculptural quality—images that feel spacious, composed, and quietly elegant, inviting the viewer to linger as the subjects soul reciprocates.
Whether shooting 35mm, 120mm, or both, the essence of working with film remains unchanged—a mindful, intentional process where each frame is chosen with care and purpose where connection comes first and the image follows.